Congratulations to our Contest Winners!
- “Our Earth Will Recover” by Nicola Johnson
- “Origami Lesson” By Claire Bai
- “Eggplants for Oya in Decatur, GA” by Kaitlin Banfill
The students of ANT 385/ THEA 389 delivered their mid-semester performance, reflecting on life at Emory.
Congratulations to the winners of the Anthropology Photography contest!
First Prize: Amelia Howell
Amelia is a graduating senior and an Anthropology major. This year, she wrote an honors thesis called, “Booty Hop and the Snake: Race, Gender, and Identity in an Atlanta Strip Club,” for which she also won the Undergraduate Shostak Award for Excellence and Humanity in Ethnographic Writing. The award winning photograph is called “Everything in Excess.”
Everything in Excess
This photo is of my family’s Great Dane, Yeagar, blocking the flat screen television in our game room. Behind the dog is a wall of photos from family trips all over the world from when we were children. This photo emphasizes an aspect of the culture of wealth in the United States. Everything in this photo is in excess. The size of the dog, the size of the television, and the size of the wall covered in photographs from around the world. The irony of this image is that the excessiveness of the size and wealth in the foreground is contrasted with the images on the wall which display family trips to predominantly less affluent areas of the world in Kenya, Tanzania, Liberia, Mexico, and Israel. The wall offers a glimpse of other realities of the world while being displayed among the comfort of an upper middle class family in the U.S. This image speaks to the culture of wealth in the United States where people often display said wealth through conspicuous consumption but also through displaying mementos representing the contrast in economic status of the reality of majority of the world.
Second Prize: Aiman Mustafa
Aiman has recently returned from fieldwork in India for his dissertation, “The Elusive Community: The Making and Unmaking of Muslim Minority Voices in Mumbai, India: An Ethnographic Account.” The second place photo was taken in Mumbai.
Who – The owner and his watch shop What – Waiting for customers When – 24 December 2016 Where – Opposite the bustling CST terminus (formerly Victoria Terminus) a World Heritage site and tourist hotspot, Mumbai, India
The picture captures a moment in this watch shop owner’s tiring wait for customers amidst the bustling environs of the World Heritage site. With the availability of cheap mobile phones mostly made in China most people have stopped using watches and clocks to keep time and small businesses such as this one are struggling to stay afloat.
Third Prize: Sarah Whitaker
Sarah is currently conducting fieldwork in the Italian Alps for her dissertation, “Climate Change and Well-being in the Italian Alps.” Her third prize photo similarly displays her interests in climate and human interactions with the environment.
The photo captures a bike in the middle of the 4000 square mile Salar de Uyuni in Bolivia, the largest salt flat in the world. The photo suggests the presence and activity of humans in an otherwise empty and seemingly inhospitable landscape. People from nearby towns arrive by bike, foot, or truck to harvest the salt, which they collect into small piles and then transport out of the flats. The Salar is an important international source of salt and the mineral lithium, used to treat bipolar and to make electric car batteries, smartphones, and fertilizers. Bolivian president Evo Morales has promised to develop the extraction of minerals from the flats to meet worldwide demand. While increased extraction would bring more jobs and much needed economic growth to the area around the Salar, local residents worry about the environmental impact and the impact on tourism. The flats are a major tourist destination, a stop on the “gringo trail” through South America. The future of the flats remains uncertain as international, national, and local political, social, and economic interests and opinions continue to clash, some people wanting to push forward, others not wanting the Salar to change. In the meantime, local residents continue to ride their bikes into the flats, harvest its salt and show tourists its beauty, and make a living off a harsh landscape that has remained unchanged for centuries.
People’s Choice: Kaitlin Banfill
Kaitlin is currently conducting fieldwork in China, for her dissertation, “Clans and Classmates: Kinship, Migration, and Education in Southwest China.” Her photo was chosen by those who visited the exhibit and voted for their favorite.
Sichuan Province, China , 35mm black and white film
A Nuosu funeral in Dechang County. In Nuosu culture, funerals are more important than births or weddings, and they bring relatives and community members together. In this photo, women prepare fireworks to guide the funeral procession and the deceased’s soul down the “road of spirits.” This photo is “anthropological” because it shows the relationships between the living and the dead, who continue to live through constant cultivation and reinvention of the community.
Thank you to everybody who participated!
Aubrey P. Graham’s (PhD 2016) photographic exhibition created in coordination with the Harvard Humanitarian Initiative will hang in the Harvard Asia Center from Nov. 2- 30, 2017. “High Ground: Disaster, Risk, and Resilience in the Philippines” explores the social dynamics that affect disaster preparedness across two distinctive communities: Sitio Kislap and Gawad Kalinga.
Dr. Isabella Alexander, anthropologist and filmmaker, published an article on the Wenner-Gren Foundation website Sapiens. She describes some of her experiences during her research on the migrant crisis. She has traveled extensively while working on her documentary The Burning: An Untold Story from the Other Side of the Migrant Crisis.
Dr. Jenny Chio’s film, 农家乐 Peasant Family Happiness, is selected for the 2017 Heritales: International Heritage Film Festival in September 2017 in Évora, Portugal. Co-organized by UNESCO and the University of Évora, the festival’s theme this year is “sustainable communities,” and it is one of the few film festivals focused on exploring cultural heritage politics through documentary film.
Anthropologist, Writer, Documentary Filmmaker, and Visiting Assistant Professor in Emory’s Anthropology Department, Dr. Isabella Alexander (PhD, Emory, 2016) published an article on GlobalPost Investigations highlighting problems in the migration crisis.
Emory’s Critical Juncture Conference is an international conference spanning different disciplines involved in social justice. For the 2017 conference, themed “The Work of Art,” participants explored how works of art challenge injustices created by social constructions of gender, disability, race, and sexuality.
With Ken Hornbeck, Dr. Debra Vidali served as keynote speaker in the workshop “Constructing Realties: Theatre and Representation.”
As a Morphomata Fellow at the University of Cologne, Germany, Dr. Chio gave a public lecture on one of her current ethnographic film and research projects. The talk was titled “These Days, These Homes: An Ethnographic Portrait Film in Progress.” Dr. Chio addressed the question: What are the possibilities of portraiture in filmmaking, and how can biographical and ethnographic approaches be integrated in film practice and humanistic cultural research? Her talk discussed possibilities in the ethnographic and biographical representation of life experiences by rethinking the methods and theories of documentary film-making, biography, life history, and ethnography.
In addition to the Krotovo film festival in Macedonia, Dr. Anna Grimshaw’s film “At Low Tide” will be screened at the 2016 American Anthropological Association meetings in Minneapolis, the Days of Ethnographic Cinema Festival in Moscow, and the Greek Ethnographic Film Festival in Athens!
This film was supported by an Emory University Research Council grant. Check out the trailer at https://vimeo.com/172429715.