Anthropology PhD Student Sasha Tycko unveils her exhibition of photographs, “Ways of the Atlanta Forest” to the public.

The Anthropology department just celebrated the opening of “Ways of the Atlanta Forest,” an exhibition of photographs by one of our PhD candidates, Sasha Tycko (C’19). The exhibition is based on Tycko’s dissertation research, which focuses on the life of the “Atlanta forest,” the site of intense conflict over the City of Atlanta’s plan to build a police training complex known as “Cop City.” Over two years, Tycko lived and worked in the forest, using a range of media, including analogue photography, to explore how the abandoned forest landscape—formerly the site of a city prison farm and a slave plantation—motivates new articulations of history, nature, and ethics. Working with the visual language of landscape photography, Tycko’s photographs cast the landscape as a layered repository of history and imagination.

This exhibition inaugurates the Department of Anthropology’s new exhibition space, which is meant to foster dialogue across campus and stimulate debate about what might constitute an engaged anthropology.

There will be a public discussion about “Ways of the Atlanta Forest” between Sasha Tycko and Jason Francisco (Film & Media, Visual Arts) on March 19th, from 1:00pm – 2:30pm in Anthropology building room 206. All photographs are gelatin silver prints handmade by Tycko in Emory’s chemical darkroom.

Sasha Tycko also recently published an essay based on her dissertation research, “Not One Tree,” in n+1 magazine.

Anthropology major Andrea Lopez and classmates create The Emory 1836 Project, highlighting Emory origins and history of the deportation of the Muscogee and Cherokee peoples.

The Emory 1836 Project is a dynamic digital humanities website, created by students in the Reparative History at Emory course, that re-centers the university’s origins within the historical context of the forced deportation of the Muscogee and Cherokee peoples from Georgia and the national expansion of slavery. Student archival research, place-based study, ethnographic research, and community storytelling for the Emory 1836 Project investigate how the legacies of slavery and dispossession structured institutional culture and practices from the university’s founding through the present-day. This reparative history project recognizes the active presence and contributions of Black and Indigenous peoples throughout Emory University’s history. The project is a living document that will expand as other students add to it in future semesters.

Check out the website for stories, archival documents, interview clips, and maps of significant events in the history of Emory’s main campus and Oxford campus.

This project was a product of the HIST-488RW/AMST-489: Reparative History at Emory course taught in Spring 2023 by Dr. Michael Mortimer.

Klamath Henry featured in Carlos Museum wing for Art of the Americas: 3/SISTERS/RESILIENCY/PROJECT

One of our undergraduate students, Klamath Henry, has her work featured in the wing for Art of the Americas within the Carlos Museum. A touch screen there connects to 3 / S I S T E R S / R E S I L I E N C Y / P R O J E C T which was developed in Fall 2017 as part of an project for an independent research course taught by Dr. Debra Vidali. This project presents photography, poetry, and ethnographic documentation of Tuscarora Nation resiliency and relations to land.

Please take the time to visit this outstanding project and congratulations to Klamath Henry!

Anthropology Photo Contest Winners Announced

Congratulations to the winners of the Anthropology Photography contest!

First Prize: Amelia Howell

Dog.jpeg

Amelia is a graduating senior and an Anthropology major. This year, she wrote an honors thesis called, “Booty Hop and the Snake: Race, Gender, and Identity in an Atlanta Strip Club,” for which she also won the Undergraduate Shostak Award for Excellence and Humanity in Ethnographic Writing. The award winning photograph is called “Everything in Excess.”

Everything in Excess 

This photo is of my family’s Great Dane, Yeagar, blocking the flat screen television in our game room. Behind the dog is a wall of photos from family trips all over the world from when we were children. This photo emphasizes an aspect of the culture of wealth in the United States. Everything in this photo is in excess. The size of the dog, the size of the television, and the size of the wall covered in photographs from around the world. The irony of this image is that the excessiveness of the size and wealth in the foreground is contrasted with the images on the wall which display family trips to predominantly less affluent areas of the world in Kenya, Tanzania, Liberia, Mexico, and Israel. The wall offers a glimpse of other realities of the world while being displayed among the comfort of an upper middle class family in the U.S. This image speaks to the culture of wealth in the United States where people often display said wealth through conspicuous consumption but also through displaying mementos representing the contrast in economic status of the reality of majority of the world.

 

Second Prize: Aiman Mustafa

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Aiman has recently returned from fieldwork in India for his dissertation, “The Elusive Community: The Making and Unmaking of Muslim Minority Voices in Mumbai, India: An Ethnographic Account.” The second place photo was taken in Mumbai.

Who – The owner and his watch shop     What – Waiting for customers   When – 24 December 2016    Where – Opposite the bustling CST terminus (formerly Victoria Terminus) a World Heritage site and tourist hotspot, Mumbai, India

The picture captures a moment in this watch shop owner’s tiring wait for customers amidst the bustling environs of the World Heritage site. With the availability of cheap mobile phones mostly made in China most people have stopped using watches and clocks to keep time and small businesses such as this one are struggling to stay afloat.

 

Third Prize: Sarah Whitaker

Salar de Uyuni 200 dpi.jpg

Sarah is currently conducting fieldwork in the Italian Alps for her dissertation, “Climate Change and Well-being in the Italian Alps.” Her third prize photo similarly displays her interests in climate and human interactions with the environment.

 

The photo captures a bike in the middle of the 4000 square mile Salar de Uyuni in Bolivia, the largest salt flat in the world. The photo suggests the presence and activity of humans in an otherwise empty and seemingly inhospitable landscape. People from nearby towns arrive by bike, foot, or truck to harvest the salt, which they collect into small piles and then transport out of the flats. The Salar is an important international source of salt and the mineral lithium, used to treat bipolar and to make electric car batteries, smartphones, and fertilizers. Bolivian president Evo Morales has promised to develop the extraction of minerals from the flats to meet worldwide demand. While increased extraction would bring more jobs and much needed economic growth to the area around the Salar, local residents worry about the environmental impact and the impact on tourism. The flats are a major tourist destination, a stop on the “gringo trail” through South America. The future of the flats remains uncertain as international, national, and local political, social, and economic interests and opinions continue to clash, some people wanting to push forward, others not wanting the Salar to change. In the meantime, local residents continue to ride their bikes into the flats, harvest its salt and show tourists its beauty, and make a living off a harsh landscape that has remained unchanged for centuries.

 

People’s Choice: Kaitlin Banfill

Kaitlin is currently conducting fieldwork in China, for her dissertation, “Clans and Classmates: Kinship, Migration, and Education in Southwest China.” Her photo was chosen by those who visited the exhibit and voted for their favorite.

KB1.jpgSichuan Province, China , 35mm black and white film

A Nuosu funeral in Dechang County. In Nuosu culture, funerals are more important than births or weddings, and they bring relatives and community members together. In this photo, women prepare fireworks to guide the funeral procession and the deceased’s soul down the “road of spirits.” This photo is “anthropological” because it shows the relationships between the living and the dead, who continue to live through constant cultivation and reinvention of the community.

Thank you to everybody who participated!

Aubrey Graham (PhD 2016) is featured in The Harvard Humanitarian Initiative

Aubrey Graham (PhD 2016) is featured in The Harvard Humanitarian Initiative

Aubrey P. Graham’s (PhD 2016) photographic exhibition created in coordination with the Harvard Humanitarian Initiative will hang in the Harvard Asia Center from Nov. 2- 30, 2017. “High Ground: Disaster, Risk, and Resilience in the Philippines” explores the social dynamics that affect disaster preparedness across two distinctive communities: Sitio Kislap and Gawad Kalinga.

High Ground: Disaster Risk and Resilience in the Philippines Photo Exhibition

Q&A with Dr. Aubrey Graham, Photographer of “Disaster, Risk, and Resilience in the Philippines” Exhibit

APGRAHAM GK Small Leticia HHI

Isabella Alexander (2016, PhD) publishes article on migrant crisis

African asylum seekers - Alphonse Ngiaba shows the author official papers stating that his application for asylum was still under consideration in Spain. Despite these documents, he had been picked up and deported.
Alexander with Alphonse Ngiaba, Morocco.

Dr. Isabella Alexander, anthropologist and filmmaker, published an article on the Wenner-Gren Foundation website Sapiens. She describes some of her experiences during her research on the migrant crisis. She has traveled extensively while working on her documentary The Burning: An Untold Story from the Other Side of the Migrant Crisis.

African asylum seekers - Sprawling, makeshift camps in the mountains of northern Morocco are home to large numbers of sub-Saharan Africans who await their chance to cross into Spain.
Makeshift camps in the mountains of Morocco.

Dr. Chio’s film selected for the 2017 Heritales Film Festival

Chio_Blog.jpgDr. Jenny Chio’s film, 农家乐 Peasant Family Happiness, is selected for the 2017 Heritales: International Heritage Film Festival in September 2017 in Évora, Portugal. Co-organized by UNESCO and the University of Évora, the festival’s theme this year is “sustainable communities,” and it is one of the few film festivals focused on exploring cultural heritage politics through documentary film.

 

Dr. Isabella Alexander: “The freedom to travel isn’t a basic human right. It depends on where you’re born.”

Anthropologist, Writer, Documentary Filmmaker, and Visiting Assistant Professor in Emory’s Anthropology Department, Dr. Isabella Alexander (PhD, Emory, 2016) published an article on GlobalPost Investigations highlighting problems in the migration crisis.